Versatility is key.
Whether you want your co-worker's portrait in a heartwarming documentary, your business to leave an impression within a few seconds
or your product lift up with an emotional narrative.
As a director specialised in corporate communications and
personal stories, I will listen, advise and guide you
through the following stages of production:
Concept
Who is the audience?
How to address them effectively? Through feelings and images or facts and figures?
Which platform should we target?
Does AI work in our favour or can it support our idea?
I gladly provide a creative concept after a first briefing and continue in close communication with you to shape and create a story- and a shooting board to be thoroughly prepared.
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6 years of assistant directing on huge sets have taught me - only the safety of preparation grants us freedom for every spontaneity the shooting might need.
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Shooting
Every story needs a different approach.
Be it enthusiastic action moments of a cheerful crowd or a calm, personal space for a sensitive Interview.
Be it little time with a VIP or technical perfection for extravagant product shots or AI supporting plates.
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With my wealth of experience on over 400 film sets, I will set the ground in terms of tone, technical equipment and team guidance.
A good story starts with everyone behind and in front of the camera to leave the day fulfilled.
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Post Production
Even with the most detailed
storyboard - this is where the story comes to life.
Editing is a lot about rhythm and music, even in moments of silence. The dramatic composition will, whether it is all about flow or conscious breaking points, lead the emotional response of the audience.
I am constantly staying up to date on technical development, recent trends and the fast paced approach of new AI opportunities to improve the story visually. Working with DaVinci Resolve and in special cases the help of
VFX-experts.
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I am experienced in each stage of production equally and if needed,
I gladly support your story separately on conception, shooting or editing only.
Every budget can shine when lit up with a great idea.
My network of over 15 years in the advertisement industry will guarantee a fully scalable and efficient production - for your story’s individual spotlight.
Solo
Small budget or a specific idea?
Owning my own equipment suitable for most moderate film and photo shootings, I am adept to help create your story as a one person unit from start to finish.
But I can't do this alone - working in a team is paramount for me. That team is you.
Collaborating hand in hand with you and your colleagues will allow trust to grow. It strengthens the film and gives the confidence for people to step in front of the camera and enjoy being part of their very own story.​​​
Small team
​To get the most out of the production while working as budget friendly as possible, choosing the right people is significant.
They need to be flexible, versatile, experienced, adapting and improving the mood on set and value the group dynamics.
I have met and treasured plenty of such women and men in various positions over the years and I am happy to give reccomendations.
Depending on the budget and constellation, I would may a trusted film production house.
Full crew
Do you have something bigger in mind?
With the support of a film production house and specialised heads of departments, I am happy to undertake more complex concepts.
Experienced in leading such projects creatively, I will find just the right people to bring your story to the very top.
Always having an open eye for expertise as well as the mood and the diversity on set and beyond.
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